About Quincy

Quincy is a bi writer, actor, and filmmaker based in Los Angeles.  As a cross-media writer, she has experience in both traditional and new media formats. She most recently worked as a Freelance Writer and Writers’ Room Assistant on Netflix’s Sweet Magnolia (Season 5).

She was also a Co-Writer on Love and Noraebang, starring Randall Park, which was nominated for Best Overall Podcast and Best Fiction Podcast at the iHeartRadio Podcast Awards and served as a Writer/Producer for Webtoon, adapting IP and developing original stories for their slate, including American Road Trip, which garnered nearly 2 million views and over 100K in subscriptions.

Her comedy and writing accolades include Lilly Wachowski’s Anarchists United Foundation Writers Discovery Fellowship, insecure EP/Writer Amy Aniobi’s TRIBE Writers Fellowship, Women in Animation Mentorship, Seventh Wave’s Narrative Shifts Residency, and The Fellowship—a creative accelerator for BIPOC fantasy novella writers—NBC/Second City Hollywood Bob Curry Fellowship, and Upright Citizens Brigade Diversity Scholarship.

Quincy has appeared as an actor in Shameless (Showtime), Queenpins (Paramount), Jimmy Kimmel Live! (ABC), and countless national commercials, including two Super Bowl campaigns,for blue-chip brands and Fortune 500 companies. She stars as the comedic lead for the Oscar-qualifying film Saverio, which earned her Best Actress at the Beaufort International Film Festival, alongside nominees Sharon Lawrence and Miriam Shor.

An alumni and former mainstage performer of iO West and the Upright Citizens Brigade, Quincy has performed over 100 improv shows with Number One Son, the first-ever, all-Asian-American femme improv team in Los Angeles, as a founding member.

As a filmmaker, Quincy is the creator/producer/head writer of The Mama Cho Show, which was a Finalist at the Etheria Film Festival. She is a producer on the upcoming Tribeca Kickstart with Canva award-winning documentary Call of the Jab. She is currently in post for RATHEAD, a Black Mirror-esque dark comedy, for her directorial debut.

A first-gen, elder daughter to Korean immigrants, Quincy’s work explores absurdity and complex relationships grounded in emotionality. In her spare time, she enjoys pole dancing, hot yoga, snowboarding, scuba diving, and all the food. She cries everyday and can run 1 mile. Neither makes her mother happy.